Naphsha from Naphsha by wordsSHIFTminds
The following pianobook instrument was used in the recording of 'Naphsha' by wordsSHIFTminds:
'Analogue Bentley' by Scott J Mason. No other instruments were used apart from keyboard pads.
The title 'Naphsha' was suggested by a rereading of Colin Wilson's 1984 book 'A Criminal History Of Mankind' (Granada Publishing). It is the Aramaic word for 'self' and can also refer to the 'true self' or essential being.
Tracklist
| 8. | Naphsha | 3:49 |
Credits
The following effects and plugins were used in the composing, recording, production and mixing of 'Naphsha':
Tape Mello-Fi by Arturia; Kontakt by Native Instruments; PrimalTap and EchoBoy by Soundtoys; OneKnob Phatter by Waves Audio; Dotted Eighth Note Delay and Arpeggiator for Live by Ableton; Raum by Native Instruments; Little Radiator by Soundtoys; LABS Glass Piano: Anthem and Piano Pads: Glitched by Spitfire Audio; Chorus Jun-6 by Arturia; Sonible Balancer by Focusrite; Studio Rack, Scheps Omni Channel, SSL E-Channel and C4 Stereo by Waves Audio; Ozone Imager 2 by Izotope; Fresh Air (Mixbus Sparkle) by Slate Digital; bx_masterdesk Classic by Brainworx/Plugin Alliance.
License
All rights reserved.
wordsSHIFTminds is Auckland, New Zealand-based composer and musician Chris Bell.
Tracks recorded and mixed at The Universal Mango Research Kitchen (UMRK). Mixes monitored using Waves Audio Abbey Road Studio 3.
Chris Bell wishes to thank: Le Fay, Ableton Live, Focusrite, Waves Audio, Izotope, Native Instruments, Spitfire Audio, Elisa & Frank.