Right Diagonal by Mtheorem
Right Diagonal' kicks off with the title track which presents a potent wall of sound that undulates across a pensive current. Distant vocals, frazzled signals and stuttering drum patterns work together to build a fantastically unheimlich vibe. The Crosser version then projects sound into a spacious, chilly warehouse as reverberated flashes of sound depict futuristic machines at work.
'Conjugated In Boring Crimes' then follows up with a dense, shuddering recording. Growls and whispers swell beneath more dystopian sonics before 'Safe Resist' rolls out as a jagged Techno experiment. A steady kick propels a rich, metallic sound palette before 'One Man Clearing' renders another scene of murky futurism.
'Farewell Seesaw' then follows up with a subtle Electro track peppered with hypnotic vocals and a distant, snappy snare. The 'Clubmix' version then delivers what it promises as urgent drums whip up a menacing, heady dance floor vibe.
'Night Voodoo' then brings things to a close as cinematic sweeps suffuse a sawtooth sequence and thick, bubbling bass tones. Frazzled hats bleed through in giving the track a certain live feeling which brings the record to a close.
The beautiful cover art comes courtesy of Castell Lanko, while Thomas P. Heckmann is on mastering duties
Tracklist
| 1. | right diagonal | 6:11 |
| 2. | right diagonal (crosser version) | 5:33 |
| 3. | conjugated in boring crimes | 4:38 |
| 4. | safe resist | 5:10 |
| 5. | one man clearing | 3:20 |
| 6. | farewell see saw (original version) | 3:36 |
| 7. | farewell see saw (clubmix version) | 4:12 |
| 8. | night voodo | 7:05 |
Credits
All music was created and recorded by Mtheorem in Argentina Buenos Aires.
Mastered by Thomas P. Heckmann
Cover art design by Castell Lanko
License
CC BY-NC 3.0. See the Creative Commons website for details.
We collaborate with artists who focus their attention on desolated parts of society and reflect it in a challenging way. There are scars all over this dystopian sprawl we are living in. Urbsounds is collecting the grime that oozes from the wounds, using this fluid to fuel the pressing of vinyl LPs and the coding of digital releases.