Post by Dead Janitor
The album can be considered an author's infiltration into post-punk structures, representing an essential stage in forming Dead Janitor's musical identity. Infiltration has a dual nature. It is a fusion of distinctly organic compositions and repetitive sequences. The sequences are references - post-punk relics, in which the author works in an emancipated way vis-a-vis the original genre, doesn't adapt to it sonically, and preserves his existing handwriting in the recordings, full of abstraction. This opens up new possibilities for interpreting dystopian scenery, deconstruction, and musical revolt characteristic of the abovementioned genre. Dead Janitor's world contains language, actions, reactions, and living forms born and existing in its musical environment. With its approach, the album also thematizes a frequent issue of the contemporary music scene in Slovakia: How to use a reference and at the same time preserve a sovereign musical identity? How to work with an inspiration source so that the source does not become a victim of authorial parasitism? Dead Janitor answers. (-Pavel Bakajsa-)
Tracklist
| 1. | ppst_090001 | 4:24 |
| 2. | psst_070001 | 2:26 |
| 3. | pstt_040001 | 3:54 |
| 4. | pttt_080001 | 4:49 |
| 5. | tspp_020001 | 3:10 |
| 6. | ttts_100001 | 3:15 |
| 7. | tsps_010001 | 3:07 |
| 8. | sttp_050001 | 7:19 |
Credits
All tracks composed, performed, produced by Dead Janitor
Mastered by Roland Nagy
Artwork by Dead Janitor
License
CC BY-NC 3.0. See the Creative Commons website for details.
We collaborate with artists who focus their attention on desolated parts of society and reflect it in a challenging way. There are scars all over this dystopian sprawl we are living in. Urbsounds is collecting the grime that oozes from the wounds, using this fluid to fuel the pressing of vinyl LPs and the coding of digital releases.