Loony Lions by UNK MANATU

Loony Lions in stochastic field

This album speaks in a plasmatic language: matter that refuses to behave or conform to any pre‑frame.
Plasma is charged, fluid, occasionally explosive, and these pieces follow the same temperament.
They choose chaos with style, forming shapes only long enough to dissolve again.

Ideas here behave like entangled particles.
Every gesture is linked to every other gesture that has existed, plus several that haven’t happened yet.
A note played in this timeline resonates with a better version of itself somewhere else, and the music accepts this with good humour.

Contact with the universe occurs at the quantum threshold.
Sometimes it feels like the cosmos tapping on the shoulder, reminding you that separation is mostly a convenient illusion.
It’s reassuring, and slightly alarming, in the correct proportions.

The texture remains intentionally unpolished.
Perfect surfaces are impossible to grip; consciousness slides off them.
These tracks carry friction, little quantum burrs for the mind to catch on.
Imperfection is not a flaw but an access point.

Loony Lions is a celebration of structured misbehaviour:
stochastic jazz, rampant polyrhythms, and harmonies that refuse to sit still.
A field in motion, roaring softly.

If you wonder why there’s no vinyl or CD option:
This music doesn’t survive well in solid form.
It behaves like a field event, temporary, fluid, uninterested in becoming an object.
Vinyls and CDs would only freeze something meant to stay in motion.

The work lives as vibration: WAV, FLAC, nothing else.
If the universe ever insists on a physical form, it will appear.
Until then, the signal remains unfixed and uncommodified.

“I don’t compose; I synchronize. Music is a plasmatic field reorganizing perception, and improvisation is the universe thinking out loud. I’m simply the instrument where entropy chooses to become audible and stochasticity does most of the work. I just try not to interfere. Perception adjusts itself when you stop insisting on control.”