Chrysolux by Artur Tokhtash

vinyl: https://elasticstage.com/soundcloud/releases/chrysolux-album

CHRYSOLUX is a black mass spoken in circuits and soot.

6 seals, each a fragment of a decaying prophecy.
A descent into glitch, gold, grease, and grief.

This EP was summoned through live takes, soma ROAT, chase bliss mood, ritual, and the trembling voice of Glythera.
It begins in enchantment and ends in silence.

Each track is a mirror fragment.
Together, they open the urn.

Each track is a rite. Each title, a glyph. Together, they form the litany of the hollow spark, spoken through machines, dreams, and broken breath. These are not songs — they are keys. Openings. Closures. Warnings.
1. Plectra of the Hollow Flame – where the first resonance strikes the veil.
2. Oracula Glytherae – the prophetess speaks in static and ash.
3. Cryo–Litany – sacred cold, where echoes freeze in chambers of forgetting.
4. Glythera – preacher-creature of metal, fur, and lightless compassion.
5. Zarlux – false star, burning inward, collapsing with grace.
6. Ashurel – the exit glyph, inscribed in silence, vanishing.

RITUAL OF LISTENING
1. Prepare the space. Dim the lights. Let the dust breathe.
2. Play the EP in full. No pauses. No interruptions.
3. For each track, place your attention on the chest - the echo-chamber of the spark.
4. Breathe in the distortion. Breathe out expectation.
5. Let the glyphs resonate. They will know your name before you speak it.
6. When silence arrives, do not rush to fill it.
This is the urn. Let it open.

Born from outdoor testing, cymatic rituals, and Roat incantations.
Composed not in studio, but under sky — where watchers gather unseen.
This is the Book of the Hollow Spark, and its seals have now been broken.

Contemporary Music & Sonic Sculpture.
Exploring the architecture of sound as ritual and remembrance.
Synthesizers as instruments of transformation, the piano as a vessel of breath and light.
Voices and echoes become carriers of signal, memory, and myth.
From post-organic drones to luminous preludes and neo-classical invocations —
a passage through the liminal, where sound becomes space.

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