Hourglass by The Departures

The Departures’ ‘Hourglass’: A Gritty Throwback with Modern Maturity

The Departures return with Hourglass, their third studio album, and it’s a nostalgic, yet fresh journey through their evolving sound. Reminiscent of early 2000s alt-rock, the band shows their roots while experimenting with new styles that elevate their music to a more mature level.

The album kicks off with “Ragdoll,” a track that’s a direct nod to the gritty, garage-rock revival spearheaded by The Strokes. It’s an energetic start, filled with catchy guitar hooks that set the tone for what’s to come.

On “Gracie,” The Departures channel The Strokes, a band they’ve frequently drawn comparisons to. With its infectious melodies, the song is a standout example of how they masterfully blend upbeat tempos with introspective lyrics, capturing that nostalgic garage-rock vibe.

Tracks like “Come Out to Meet Me” and “Game Show” feel like a return to the sound that defined their earlier albums, full of the punchy rhythms and sing-along choruses that longtime fans will love. There’s a real sense of comfort in hearing The Departures flex their signature style.

But Hourglass isn’t just a retread of past glory. “Two At A Time,” the album’s lead single, is where things take a leap. It’s a standout, featuring a surprising woodwind solo that wouldn’t be out of place on a Jethro Tull track. It’s bold, different, and a clear signal that the band is growing beyond their comfort zone.

“Spider” is another unexpected highlight. With its heavier tones and fierce delivery, the band ventures into harder rock territory. The last 20 seconds feel like a throwback to the progressive post-hardcore sound of Fair to Midland, showing off their range and ability to surprise.

Songs like “Aftermath” and “Sorry Ass” tap into their classic sound, but with a more mature edge. The lyrics and arrangements feel tighter, more deliberate, reflecting their growth over the years without losing the raw energy they’re known for.

The title track, “Hourglass,” slows things down with a mellow, late-night drive vibe. It’s a track that breathes, offering a moment of reflection before the album’s final stretch.

Closing out with “Jan Can’t Read,” The Departures leave us on a high note. The song feels like a culmination of their journey—full of energy, tight songwriting, and a sense of progress. Their sound has matured, and this track is proof that they’re just getting better with time.

With Hourglass, The Departures have crafted their most cohesive and put-together album yet. While earlier hits like “Raccoon” and “Denny’s Day Off” still hold their charm, this album showcases a band that’s evolved without forgetting where they came from. In many ways, it feels like their best work to date—a perfect blend of their roots and their future.

The Departures are an indie rock band from Vancouver, WA, formed in 2015 by Jan Massey, Joe-Henry McQuary, Max Lafayette, and Kaden Finely. Known for their mix of honest lyrics and energetic sound, The Departures aim to connect with listeners through relatable stories and memorable hooks.

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