Nafasi by Bilakatu

Nafasi

The term "Nafasi" in Swahili (or Kiswahili, as Swahili speakers call it) has three closely related meanings: "opportunity," "possibility," and "space." This chain of signifiers, which has no exact equivalent in any other language I know, and which probably doesn't have one in other languages ​​I don't know, leads me to think about the veracity of these three concepts every time I hear them... No "opportunity" is true if we don't have the "opportunity," and no "possibility" is true if we lack the "space." Similarly, and closing the circle of signifiers of the word, we can say that "space" is only true if it can be occupied in a timely manner. Let's take the example of a speaker at a conference. If a person is only allowed to occupy the "speaker's space" when the entire audience has already left, the speaker's "space" in that case would not have been truly occupied, but only in a deceptively topographical manner and never in relation to "opportunity" and "possibility."... In a world where everyday intentional exclusion compels the discarded to interpellate the fictitious discourses of power, this peculiar chain of signifiers makes it possible to test the veracity of the terms "opportunity," "possibility," and "space" right there in the precise context and moment in which they are employed...

Began to explore Tonal Possibilities around Altered Modal Tunes and worked on Pedagogical Topics betting on free creativity.
By conbining pick and fingers techniques, he developed his own style Bass&Guitar along many years of innovation to expand musical landscapes giving Plata-riverside Styles such as New Tango, Milonga, Candombe and another folklorical rhythms a contemporary treatment

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