ENERGY by bilakatu

[". . . This bunch of energetic tracks had been born while researching on Music Therapy (improvisational and restoring psychodynamic group music therapy), looking for rhythmic-melodical patterns in sounding landscapes which could help to restore our inner-clock among other tasks at several stages of sessions.

Although these ones have precisely been discarded at first because they sound «Too much like SONGS» to me instead of the rhythmical backgrounds that I was looking for, I'm still in doubt about it... Each of us is a unique universe and it always depends on the amount of concentration you want to catch for escorting the given activities, whichever they are. Let's keep on exploring...

Strangely enough practitioners of these fields often try to show their dry feet as symbol of some kind of «high-standard capability», when in fact, we ourselves must cross the waters to know the other side of the ocean if we really want to be able to tower the bridge and also shape the necessary tools before building it up.

From the Meditative Sounds to pace the Yoga Practice till the Abducing Rhythms of African Traditional Healers we must deeply live the trance by ourselves to learn the path which cannot be understood from the distance. When people carelessly take something for «magic» it's just because they haven't tasted it enough to learn the way of getting the hang of it. The so-called «sensory illusion» is not magic, but a metaphorical tool of huge importance to work with. Would you reject a walking stick just because we know that it's not a leg? Every understanding needs its previous respectful willingness . ." (Santiago Romero Bourdieu)]

Tracklist

1.	Najua Nitokapo	8:49

2.	Active stillness	8:48

3.	Impulso positivo	8:29

4.	Mis pies mojados	7:00

5.	She-energy	7:56

6.	Mtu mwenye usonji	8:57

7.	Testeando lados	7:17

Credits

released January 25, 2020

The Rayuela Musical System is an improvisation platform inspired by the Julio Cortázar book «Hopscotch» and developed by Bilakatu, in which any multifunctional element of the song that dovetail with the others can be played simultaneously or crumple up in a trice, to let the songs build themselves up along broadly extended tonal fields. Trice after trice, the structures become so naturally as mysteriously malleable tools for the free choice, breaking formulas' ribs by dint of spontaneousness.

bilakatu are:
musicartesanos.wixsite.com/bilakatu/artists

License

CC BY-NC-ND 3.0. See the Creative Commons website for details.