Separations by Pulp

By 1992 Pulp had already transformed from their debut 'It' through the dark electronic phase of 'Freaks' and were garnering significant momentum. Now critically acclaimed and with a live reputation matched by only a few, most of the songs on 'Separations' sound fully-realised in that undeniably Pulp manner that was soon to be experienced everywhere. And, for the first time, there was an inescapable disco pulse. This is the transition album where Pulp, caught between a doomed romantic outsider past and an acid-bright future, made an album that brilliantly reflects both.
Beautifully re-mastered and repackaged and with liner notes by Everett True, the disc includes four bonus tracks, including 'Death Goes To The Disco', 'Is This House', as well as an extended version of the single 'Countdown' and the previously unreleased 'Death Comes To Town'.
'Separations' spawned two of Pulps most successful singles to date in 'Countdown' and 'My Legendary Girlfriend', with the latter topping the singles of 1991 lists by major music publications.

Almost a decade before their status as press darlings and eccentric purveyors of weird and wonderful pop music, a deeply disturbed Sheffield pop group crafted a brace of loveably awkward pop classics, most notably the controversial "Little Girl (With Blue Eyes)". Pulp were simply awesome and undeniably strange, ranging from Scott Walker balladeering to post-punk, avant-garde aggressiveness.