traantjes by Orquesta del Tiempo Perdido
Go directly to Astral Editions' BC page for physical merch ordering from within the United states:
https://aeorquesta.bandcamp.com/album/traantjes
Tracklist
| 1. | feels | 3:52 |
| 2. | climate war one won theme | 3:45 |
| 3. | dos o tres cervezas | 5:39 |
| 4. | poppin' chops | 1:59 |
| 5. | sourcingsperspectief | 4:50 |
| 6. | bubble | 5:19 |
| 7. | sexytime | 6:03 |
| 8. | in 19 | 4:03 |
| 9. | elastiek | 0:52 |
| 10. | bye bye things | 6:15 |
| 11. | da Marco | 6:57 |
Credits
released August 27, 2021
Mark Morse: lapsteel
Tristan Renfrow: drums
Onno Govaert: glockenspiel, pandeiro & timbales
Floris van Bergeijk: synth
Salvoandrea Lucifora: trombone on 2, 10 & 11, tuba on 1, 3, 6, 7 & 8
Jasper Stadhouders: bass on 2&11, guitar on 3,6 & 8, mandoline on 11
Anna voor de Wind: clarinet on 1, 2 & 8, bass clarinet on 1, 10 & 11
Ben Zelinsky: bassoon on 1, 3 & 7
Christian Smith: xylophone on 3 & 6
Daniel Cross: tuned bells on 11
John Dikeman: tenor sax on 10
Joost Buis: trombones on 7
Koen Kaptijn: trombone on 1, 4, 8 & 9, 2nd trombone on 2
Koen Nutters: double bass on 6, 7 & 10
Leo Svirsky: piano on 1, 5 ,8 & 10
Miriam Overlach: harp on 2 & 10
Nora Mulder: piano on 10
Patricio Wang: panflutes on 3
Peter Jessen: double bass on 1
Seamus Cater: harmonica on 7, bass harmonica on 1
Sjeng Schupp: singing saw on 10
Jeroen Kimman: guitars, pedal steel guitar on 1, 2 ,4, 5 & 9, bass guitar on 7 & 10, vocoder & banjo on 5, sampling and sneaky overdubs
All music composed and produced by Jeroen Kimman.
Mixed and mastered by Sandor Caron at Poesco Studio.
Initial rhythm section recording on March 10 2020 at Studio De Zoete Inval by Jasper Schonewille.
Editing and additional recording at Nananananineteen Studios.
Further additional recording all over the place, corona-proof, emailed.
Artwork by Antoon Schupp
Layout by Dylan Marcus McConnell
Thank you Sambeaux, Nate, Marksk, Sjeng, Oona, LoÏe, Hilly.
With support from the Performing Arts Funds NL.
‘Traantjes is a slippery ride, but a very good one.’
Byron Coley/THE WIRE
‘Kimman’s music is so engaging, drawing the listener completely into his wonderfully strange world. Traantjes is a whimsical and disjointing sonic ride full of bold ideas and enchanting experimentation.’
Brad Rose/FOXY DIGITALIS
‘A joy of listening from start to finish.’
Rene van Peer/GONZOCIRCUS
'A music that is overflowing with inspiration, imagination and deception, to say the least'
Federico Savini/BLOW UP
‘A group with a very unusual sound – one that's not entirely in keeping with the lovely paperback-style image on the cover, but which has a similarly evocative sensibility! We're not sure we've ever heard a group like this ‘
DUSTY GROOVE
‘Traantjes is an abundant treasury full of musical adventure, wit, and unexpected beauty.’
Herman te Loo/JAZZFLITS
‘There are times when you hear something so inexplicable that it stops you in your tracks. ‘Traantjes’ is one of those albums.’
Nick Roseblade/VITAL WEEKLY
‘Each composition performed by this ensemble seems to be lost not
only in time, but also in space.’
Evgeny Galochkin/JAZZIST.RU
‘…just to pick a few remarkable cuts from this utterly unique album. Truly something different.’
Baze Djunkiii/NITESTYLEZ
‘the beauty lies, as often, in the contrast’
’it works’
Gert Derkx/OPDUVEL
‘Traantjes is a succession of cheerfully crazy tracks, going in a spin before falling back on their four legs, leading the listener on one track before taking another, accelerating and braking at the same time, for a feeling of dizzy spells born from the creative intoxication. Very highly recommended.’
Roland Torres/SILENCEANDSOUND
'creating its own folklore'
AFRICAN PAPER
'This is a recording that stands out as unique even by the standards of the Free Jazz Collective.'
Kenneth Blanchard/THE FREE JAZZ COLLECTIVE
'Die Töne krumme hunde, der Flow stottrig und klapprig, mit zahnlücken und windschief, wie ein Orchestrion außer rand und band. Die ein manisch überdreht, die anderen bekifft, die dritten schlucken mexicanisches Bier, die Füße tanzen walzer, der kopf tanzt Hula in Hawaii.'
BAD ALCHEMY MAGAZINE
'..it’s density and unexpected left turns become an act of sheer strength, providing that you are game for the unexpected.'
Matty McPherson/TABS OUT
商品詳細情報
オランダのコンポステラ? ジェローム・キンマン率いるアムステルダムのラージアンサンブルによるセカンド・アルバム。サントラや民謡、ジャズ/インプロを独自の手法で換骨奪胎。「ここではないどこかへと誘う架空のサウンドトラック」とはよく使われる表現だが、もっと捻じれた世界観が特徴で、平凡な日常の裏側に潜む狂気をそのまま表現したようなバンド、とでも言えるだろうか。ポストモダン以降のエキゾチカ大傑作だ。
DISK UNION
'Una lavoro musicale solo in apparenza stravagante o coloristico ma davvero ricco e immaginifico.'
Angelo Leonardi/ALL ABOUT JAZZ
‘And all the way you sit at the far end of the chair to get all the details. For rarely have I heard music where the details are as many and exciting as here.’
Jan Granlie/SALT PEANUTS
Mark Morse: lapsteel
Tristan Renfrow: drums
Onno Govaert: glockenspiel, pandeiro & timbales
Floris van Bergeijk: synth
Salvoandrea Lucifora: trombone on 2, 10 & 11, tuba on 1, 3, 6, 7 & 8
Jasper Stadhouders: bass on 2&11, guitar on 3,6 & 8, mandoline on 11
Anna voor de Wind: clarinet on 1, 2 & 8, bass clarinet on 1, 10 & 11
Ben Zelinsky: bassoon on 1, 3 & 7
Christian Smith: xylophone on 3 & 6
Daniel Cross: tuned bells on 11
John Dikeman: tenor sax on 10
Joost Buis: trombones on 7
Koen Kaptijn: trombone on 1, 4, 8 & 9, 2nd trombone on 2
Koen Nutters: double bass on 6, 7 & 10
Leo Svirsky: piano on 1, 5 ,8 & 10
Miriam Overlach: harp on 2 & 10
Nora Mulder: piano on 10
Patricio Wang: panflutes on 3
Peter Jessen: double bass on 1
Seamus Cater: harmonica on 7, bass harmonica on 1
Sjeng Schupp: singing saw on 10
Jeroen Kimman: guitars, pedal steel guitar on 1, 2 ,4, 5 & 9, bass guitar on 7 & 10, vocoder & banjo on 5, sampling and sneaky overdubs
All music composed and produced by Jeroen Kimman.
Mixed and mastered by Sandor Caron at Poesco Studio.
Initial rhythm section recording on March 10 2020 at Studio De Zoete Inval by Jasper Schonewille.
Editing and additional recording at Nananananineteen Studios.
Further additional recording all over the place, corona-proof, emailed.
Artwork by Antoon Schupp
Layout by Dylan Marcus McConnell
Thank you Sambeaux, Nate, Marksk, Sjeng, Oona, LoÏe, Hilly.
With support from the Performing Arts Funds NL.
‘Traantjes is a slippery ride, but a very good one.’
Byron Coley/THE WIRE
‘Kimman’s music is so engaging, drawing the listener completely into his wonderfully strange world. Traantjes is a whimsical and disjointing sonic ride full of bold ideas and enchanting experimentation.’
Brad Rose/FOXY DIGITALIS
‘A joy of listening from start to finish.’
Rene van Peer/GONZOCIRCUS
'A music that is overflowing with inspiration, imagination and deception, to say the least'
Federico Savini/BLOW UP
‘A group with a very unusual sound – one that's not entirely in keeping with the lovely paperback-style image on the cover, but which has a similarly evocative sensibility! We're not sure we've ever heard a group like this ‘
DUSTY GROOVE
‘Traantjes is an abundant treasury full of musical adventure, wit, and unexpected beauty.’
Herman te Loo/JAZZFLITS
‘There are times when you hear something so inexplicable that it stops you in your tracks. ‘Traantjes’ is one of those albums.’
Nick Roseblade/VITAL WEEKLY
‘Each composition performed by this ensemble seems to be lost not
only in time, but also in space.’
Evgeny Galochkin/JAZZIST.RU
‘…just to pick a few remarkable cuts from this utterly unique album. Truly something different.’
Baze Djunkiii/NITESTYLEZ
‘the beauty lies, as often, in the contrast’
’it works’
Gert Derkx/OPDUVEL
‘Traantjes is a succession of cheerfully crazy tracks, going in a spin before falling back on their four legs, leading the listener on one track before taking another, accelerating and braking at the same time, for a feeling of dizzy spells born from the creative intoxication. Very highly recommended.’
Roland Torres/SILENCEANDSOUND
'creating its own folklore'
AFRICAN PAPER
'This is a recording that stands out as unique even by the standards of the Free Jazz Collective.'
Kenneth Blanchard/THE FREE JAZZ COLLECTIVE
'Die Töne krumme hunde, der Flow stottrig und klapprig, mit zahnlücken und windschief, wie ein Orchestrion außer rand und band. Die ein manisch überdreht, die anderen bekifft, die dritten schlucken mexicanisches Bier, die Füße tanzen walzer, der kopf tanzt Hula in Hawaii.'
BAD ALCHEMY MAGAZINE
'..it’s density and unexpected left turns become an act of sheer strength, providing that you are game for the unexpected.'
Matty McPherson/TABS OUT
商品詳細情報
オランダのコンポステラ? ジェローム・キンマン率いるアムステルダムのラージアンサンブルによるセカンド・アルバム。サントラや民謡、ジャズ/インプロを独自の手法で換骨奪胎。「ここではないどこかへと誘う架空のサウンドトラック」とはよく使われる表現だが、もっと捻じれた世界観が特徴で、平凡な日常の裏側に潜む狂気をそのまま表現したようなバンド、とでも言えるだろうか。ポストモダン以降のエキゾチカ大傑作だ。
DISK UNION
'Una lavoro musicale solo in apparenza stravagante o coloristico ma davvero ricco e immaginifico.'
Angelo Leonardi/ALL ABOUT JAZZ
‘And all the way you sit at the far end of the chair to get all the details. For rarely have I heard music where the details are as many and exciting as here.’
Jan Granlie/SALT PEANUTS
License
All rights reserved.
