The Completionist by Naythen Wilson
All songs written, performed and recorded by Naythen Wilson
Using recordings from 1993 - 2024
Naythen Wilson: Vocals, Synths, Samplers, Kaossilator, Bass, Drums, Guitars, Piano, Saxophone, Horns, Effects Pedals, Tape Manipulation, Field Recording, Engineering, and Extreme Editing
Tracklist
| 1. | 001 | 1:31 |
| 2. | 002 | 0:41 |
| 3. | 003 | 2:01 |
| 4. | 004 | 2:08 |
| 5. | 005 | 1:57 |
| 6. | 006 | 1:45 |
| 7. | 007 | 2:11 |
| 8. | 008 | 2:27 |
| 9. | 009 | 1:37 |
| 10. | 010 | 1:48 |
| 11. | 011 | 3:46 |
| 12. | 012 | 2:15 |
| 13. | 013 | 2:49 |
| 14. | 014 | 0:55 |
| 15. | 015 | 2:01 |
| 16. | 016 | 2:11 |
| 17. | 017 | 1:51 |
| 18. | 018 | 1:36 |
| 19. | 019 | 1:56 |
| 20. | 020 | 1:34 |
| 21. | 021 | 2:10 |
| 22. | 022 | 1:54 |
| 23. | 023 | 2:13 |
| 24. | 024 | 1:03 |
| 25. | 025 | 4:21 |
| 26. | 026 | 1:56 |
| 27. | 027 | 2:40 |
| 28. | 028 | 2:11 |
| 29. | 029 | 1:37 |
| 30. | 030 | 1:54 |
| 31. | 031 | 1:27 |
| 32. | 032 | 1:08 |
| 33. | 033 | 2:12 |
| 34. | 034 | 2:05 |
| 35. | 035 | 0:58 |
| 36. | 036 | 2:03 |
| 37. | 037 | 2:40 |
| 38. | 038 | 1:32 |
| 39. | 039 | 1:32 |
| 40. | 040 | 4:20 |
| 41. | 041 | 2:10 |
| 42. | 042 | 2:05 |
| 43. | 043 | 0:48 |
| 44. | 044 | 1:51 |
| 45. | 045 | 1:48 |
| 46. | 046 | 3:25 |
| 47. | 047 | 1:00 |
| 48. | 048 | 2:01 |
| 49. | 049 | 1:18 |
| 50. | 050 | 1:09 |
| 51. | 051 | 2:04 |
| 52. | 052 | 1:45 |
| 53. | 053 | 1:11 |
| 54. | 054 | 1:27 |
| 55. | 055 | 2:13 |
| 56. | 056 | 0:44 |
| 57. | 057 | 0:22 |
| 58. | 058 | 0:43 |
| 59. | 059 | 1:51 |
| 60. | 060 | 1:34 |
| 61. | 061 | 1:22 |
| 62. | 062 | 0:53 |
| 63. | 063 | 2:06 |
| 64. | 064 | 1:43 |
| 65. | 065 | 1:30 |
| 66. | 066 | 1:52 |
| 67. | 067 | 2:13 |
| 68. | 068 | 1:31 |
| 69. | 069 | 0:53 |
| 70. | 070 | 1:45 |
| 71. | 071 | 1:39 |
| 72. | 072 | 1:40 |
| 73. | 073 | 1:29 |
| 74. | 074 | 1:57 |
| 75. | 075 | 1:47 |
| 76. | 076 | 1:41 |
| 77. | 077 | 1:52 |
| 78. | 078 | 1:43 |
| 79. | 079 | 2:00 |
| 80. | 080 | 1:05 |
| 81. | 081 | 2:45 |
| 82. | 082 | 2:12 |
| 83. | 083 | 1:32 |
| 84. | 084 | 1:36 |
| 85. | 085 | 2:08 |
| 86. | 086 | 1:11 |
| 87. | 087 | 1:05 |
| 88. | 088 | 2:07 |
| 89. | 089 | 1:40 |
| 90. | 090 | 1:26 |
| 91. | 091 | 1:51 |
| 92. | 092 | 1:20 |
| 93. | 093 | 1:53 |
| 94. | 094 | 2:13 |
| 95. | 095 | 1:39 |
| 96. | 096 | 1:46 |
| 97. | 097 | 3:12 |
| 98. | 098 | 1:03 |
| 99. | 099 | 2:11 |
| 100. | 100 | 2:05 |
| 101. | 101 | 3:10 |
| 102. | 102 | 1:41 |
| 103. | 103 | 1:42 |
| 104. | 104 | 1:39 |
| 105. | 105 | 1:00 |
| 106. | 106 | 2:03 |
| 107. | 107 | 1:14 |
| 108. | 108 | 2:23 |
| 109. | 109 | 1:19 |
| 110. | 110 | 2:02 |
| 111. | 111 | 2:14 |
| 112. | 112 | 1:53 |
| 113. | 113 | 1:59 |
| 114. | 114 | 2:14 |
| 115. | 115 | 1:22 |
| 116. | 116 | 2:14 |
| 117. | 117 | 1:35 |
| 118. | 118 | 1:41 |
| 119. | 119 | 1:48 |
| 120. | 120 | 0:43 |
| 121. | 121 | 1:21 |
| 122. | 122 | 1:54 |
| 123. | 123 | 2:14 |
| 124. | 124 | 1:44 |
| 125. | 125 | 1:36 |
| 126. | 126 | 2:05 |
| 127. | 127 | 1:40 |
| 128. | 128 | 2:17 |
| 129. | 129 | 1:41 |
| 130. | 130 | 1:18 |
| 131. | 131 | 1:58 |
| 132. | 132 | 2:17 |
| 133. | 133 | 1:53 |
| 134. | 134 | 1:41 |
| 135. | 135 | 1:54 |
| 136. | 136 | 1:58 |
| 137. | 137 | 2:13 |
| 138. | 138 | 1:43 |
| 139. | 139 | 2:12 |
| 140. | 140 | 2:03 |
| 141. | 141 | 2:12 |
| 142. | 142 | 1:49 |
| 143. | 143 | 2:13 |
| 144. | 144 | 1:37 |
| 145. | 145 | 2:16 |
| 146. | 146 | 1:06 |
| 147. | 147 | 1:31 |
| 148. | 148 | 0:44 |
| 149. | 149 | 3:05 |
| 150. | 150 | 0:36 |
| 151. | 151 | 1:57 |
| 152. | 152 | 2:14 |
| 153. | 153 | 0:56 |
Credits
released September 9, 2024
License
All rights reserved.
OE Inc has its roots in centuries old practices of civic placement, stacked resolution, and expelled courses brought on by darkened doors. We will put out what we put out, unapologetically.
This path is certain.