PERMISSION by OBJECT AS SUBJECT

OBJECT AS SUBJECT is an LA-based art punk band led by classical violinist turned punk singer, Paris Hurley (composition, vox, drums, dance // Kultur Shock). This feminist battle cry is a call to action fueled by raw wailing vocals, a barrage of floor toms, gritty bass riffs, and exacting choreography that shifts from explicit gestural iterations to relentless phrases of wild abandon, featuring Emilia "Pony Sweat" Richeson (dance, drums, vox), Patty Schemel (drums // Hole), Bree Tomás (bass // Royalties), and Krissy Barker (vox, bass, synth bass // She is Haunted).

An irreverent choreographic and sonic ritual, their work is feral and unashamed, spilling from the stage with calculated bursts of irreligious rites. Their debut album, PERMISSION, is a ceremonial destruction of the myth that women exist in a scarcity-driven hierarchy and must make themselves small for the comfort of others; seen but not heard, useful without agency. Laced with hypnotic drones and lyrics tackling the catcalls of construction workers, the degradation of pussy, and the patriarchal pyramid scheme of catholicism that turns the sexuality of women into a sin, OAS weaves a punk incantation inviting audiences to turn inward, face yourself, free yourself, save yourself, revel in your joy, feel your sorrow, sweat out your fears, and scream your anger.

OBJECT AS SUBJECT is American musician, composer, and choreographer, Paris Hurley. A shapeshifting autobiographical exploration supported by a long lineage of collaborators, the project places Hurley as the subject of her own story, questioning the edges of objecthood and obligation as a woman at its core

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