Cell Eleven by Cell Temple
Horror themes are uniquely reinterpreted in the eleventh EP by Australian experimental artist Cell Temple.
Akira Yamaoka's melancholic old-meets-new style theme from the Silent Hill video game gets reworked into a metal knuckle-dragging industrial piece, that could appropriately play alongside one of the series' villainous horrific monstrosities.
"Come To Me", from 1985 vampire film Fright Night, takes the dreamy synth and sax-lead song and moves it into more glitching electronic territory, while retaining the hypnotic repeating feel of the original's hooks.
The Shining theme, sometimes referred to as Dies Irae, is perhaps one of the most ominous pieces of music used in a film. In this version, the melody is slowed down to a crawl, and the atmospheric drone replaced by crushing guitar feedback to drive home the feel of isolation.
Tracklist
| 1. | Silent Hill (Main Theme) | 2:10 |
| 2. | Come To Me | 2:56 |
| 3. | The Shining (Main Theme) | 8:47 |
Credits
Silent Hill Theme
Composed by Akira Yamaoka
Guitars, Bass and Glitch effects by Brad H
Additional samples created by Rutger Mullin, Kyle Cameron used under Creative Commons 0
Come To Me (Fright Night)
Composed by Brad Feidel
Guitars and Bass by Brad H
Additional samples created by cvltiv8r used under Creative Commons 0
The Shining (Main Theme) feat. Dies Irae movement
Composed by Wendy Carlos and Rachel Elkind
Guitars and Bass by Brad H
