Bird's Bread by Wilding

Originally released 2012

All songs written by Justin Wilding Stokes
Recorded, produced and mixed by Robin Waters in Brunswick, Melbourne, 2010-2011
Mastered by Matt Redlich at Massive Studios, Brisbane

Justin Wilding Stokes - vocals, various instruments
Robin Waters - various instruments, backing vocals
with
Evan Rennick - electric guitar (on 7,11)
Lee Hooper - vocals, violin (on 9, 11)
Tristan Stokes - bass, cheese grater (on 8)
Cate Hazleden-Butler - flute (on 2, 6)
Alicia Fernandez, Rebecca Young and Cheree Dobra - backing vocals (on 2, 6, 8, 11)

Artwork by Andrea Jolley
Cover design by Katie Geppert
Sleeve design by Luke Gardiner

It’s common to view the late ’60s through the distorted lens of the baby boomer generation’s historical revisionism. Street marches, libertarian sexual philosophy, political agitation, Nehru jackets and the rest. The reality is far more complex – why, for example, did Nixon win the presidency in 1968, John Gorton triumph in 1969 and Engelbert Humperdinck out sell Jimi Hendrix – but the mythology makes for much better pop culture.

Wilding’s debut album Bird’s Bread is bristling with the alleged optimism of yore. Take opening track I’ll Be There: the country village whimsy of John Lennon with a delightfully inebriated Ringo Starr at his heel. Or The Kinks wide-eyed wonder of Pale Blue Eyes, or even the psychedelic pop-love of Burning Up Inside? She’s A Casual User takes to the dusty plains with an arm full of Gram Parsons records and a dose of mescalin and has the best time, ever; the sadness of The Day I Let You Pass Me By is as soft as the proverbial baby’s backside. The kaleidoscopic comic edge of I’ll Love You Until Monday Morning would bring a smile to any Brill Building songwriter, Alopecia is dirty in a nice-boy sort of way, Are You Listening? and Lost Afternoon are two aspects of the moment of solitude Brian Wilson spent years subconsciously wallowing in.

Yet it’s a fundamental mistake to see Wilding as either indulging or labouring the retro-psych-pop thing. Stripped of the labelling and gratuitous historical associations, Bird’s Bread is a seriously good pop record. And that is all that counts. - Patrick Emery, beat Magazine

‘The musical love child of the modern day hipster and The Beatles’ –Tone Deaf 8/10

‘... seemingly beamed in from The Beach Boys’ Smile sessions’ – Rave Magazine 4/5 stars

‘It’s a glorious collection of sometimes odd, and mostly endearing, harmonies, found instruments, sweeping melodies’ – The Weekend Australian 4/5 stars

‘... full of nuance between delight and melancholy’ –The Age 4/5 stars

‘It balances wistful songwriting and out-of-the-blue experimentation perfectly’ – Mess and Noise

Half A Cow is an independent record label from the East Coast of Australia. Run by musician Nic Dalton, Half A Cow has been releasing music since 1990. More releases can be found at https://viasatellitedownloads.bandcamp.com

halfacow.com.au