GAYDANBORG's DEBUT EP came to him in a few short days as a flow of energy he couldn't stop if he had wanted to. He can't stop it even now, and only shares this EP as a signal of more to come.
Lurking just under the surface, EXODUS was an inevitable and necessary rite of passage for the birth of GAYDANBORG: an artist too complex by his own design, too modified by chemical medicament and yet too embedded within the landscape to be described simply as human.
EXODUS is marked by the pain and rejection of the misfit. Grinding and yearning to be anywhere but here.
If the soup gave us GAYDANBORG's EXODUS in a creative rush of mere days, what comes next?
A fusion of transman and machine, GAYDANBORG comes to you heavily influenced by the voice modulation effects of Karin Dreijer in Fever Ray and earlier in The Knife. Other heavy influences on his sound come from the best electronic music producers today, years of musical training in orchestral trombone, years of piano and singing hymns in the LDS Church every Sunday growing up.