Cendre by fennesz sakamoto
This release features a duet between Christian Fennesz [guitar/laptop] and Ryuichi Sakamoto [piano/laptop] – a continuing collaboration between two highly regarded composers. Their first, ‘Sala Santa Cecilia’, was a 19 minute overture from their live performance in Rome in November 2004 [Touch # Tone 22, 2005]. Bill Meyer in Magnet (US) wrote: “Cross-generational encounters are never a sure thing, but this one strikes sparks” and Max Scaefer in Cyclic Defrost (USA): ” a moment of much beauty, not to mention anticipation for the promised full-length effort to come.” Tom Sekowski adds in Gaz-eta (USA): “We can only hope this astonishing collaboration will turn into something more tangible, more permanent.”
So now we have ‘Cendre’… Cendre was recorded between 2004 and 2006 in New York City by Ryuichi Sakamoto and in Vienna by Christian Fennesz. They came together for the mix in New York City in February of that year. Fennesz would send Sakamoto a guitar or electronic track and Sakamoto would compose his piano piece. This process was also reversed – Sakamoto initiating the track with a piano composition and Fennesz responding. Meanwhile they met for live shows, or communicated via digital means to compare notes, swop ideas and develop themes… And the cyclical process continued right up until the final mix.
Ryuichi Sakamoto and Christian Fennesz blend the unstructured and imaginative qualities of improvisation with the satisfying sculpture of composition. Sakamoto’s piano, his style reminiscent of Debussy and Satie, perfectly complements Fennesz with his powerful blend of shimmering guitar and passionate electronics.
Together they have combined to create 11 tracks of satisfying and challenging possibilities…
Cendre was one of the 2007 Albums of the Year in Kulturflash (UK)
Tracklist
| 1. | oto | 3:50 |
| 2. | aware | 4:46 |
| 3. | haru | 4:40 |
| 4. | trace | 5:47 |
| 5. | kuni | 2:24 |
| 6. | mono | 4:14 |
| 7. | kokoro | 4:16 |
| 8. | cendre | 3:10 |
| 9. | amorph | 5:58 |
| 10. | glow | 7:13 |
| 11. | abyss | 5:39 |
Credits
License
All rights reserved.
Fennesz uses guitar and computer to create shimmering, swirling electronic sound of enormous range and complex musicality. His lush and luminant compositions are anything but sterile computer experiments. They resemble sensitive, telescopic recordings of rainforest insect life or natural atmospheric occurrences, an inherent naturalism permeating each piece.