NitroZeus! by Bushmeat Sound System
Stuxnet is a cyberweapon built jointly by the United States and Israel and is believed to be responsible for causing substantial damage to the Iranian nuclear program. NitroZeus was developed in response to the Stuxnet malware campaign with the goal of achieving a more comprehensive and deeply embedded attack capability. By comparison, Stuxnet was a crude, back alley operation. NitroZeus provides for full-scale cyber war, with no attribution. The science fiction cyber war scenario is here.
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NitroZeus! represents the most successful operationalization of my sound art interventions. This noetic supplement, when applied to an informed and limber consciousness, can help the individual to shake free from self-incarcerating myth residues. These structures of thought and belief enable a global system valorizing extraction, exploitation, and death. That system is pervasive. Sonic vibration radiates and permeates.
I have boosted the potency of NitroZeus! by adding ultra-state tonalities to an anarchic brew that includes sounds produced by the SHNTH – a remarkable instrument of paradox and discovery. This music would nullify its futurity if it sounded like anything you had heard before it, so you’ll have to be patient with it and yourself to reap the full benefits. One suggested protocol for use would be to loop the five-track cycle at a comfortably full volume. Listen in this mode until all regions of your nine minute journey have melded into a comfortable groove.
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The true and most important function of the avant garde is not to experiment, but to find a path along which it will be possible to keep culture moving in the midst of ideological confusion and great violence.
Tracklist
| 1. | ill-fated one | 0:55 |
| 2. | ill-fated two | 1:50 |
| 3. | ill-fated three | 2:22 |
| 4. | ill-fated four | 2:35 |
| 5. | ill-fated five | 1:09 |
Credits
Bushmeat: SHNTH & Bastl Kastle
DPRK: Sample
Raoul: Cover ill-ustration
License
All rights reserved.
Thomas Stanley (a/k/a Bushmeat Sound) is an artist, author, and activist deeply committed to audio culture in the service of personal growth and noetic (r)evolution. In the musical practice of Black improvisation, Stanley has found ways of engaging historical epochs that we have yet to fully enter.
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