Some care was taken on this track to play some extra notes as if a second pianist was playing, and in the sequencer they are played onto the same track (the Grand Piano) then a bunch of instruments are in unison after the layering was done. After the tradition of Moebius Cul-De-Sac and a few other pieces where I have done the lead synth voice in addition to chords, I tried to keep up these extra grace notes going throughout the performance.