It was fruitful work. Calls. Correspondences. Conversations. Search of meanings and judgment of philosophy of a preformans and all all project in general. The main task I delivered to myself: to emphasize internal the maintenance of each scene, and the main thing to emphasize the existing atmosphere of the subway. It was for this purpose important to go deep into process in advance to hear in the middle of itself sounds, timbres, sound textures. Concrete Sound, timbre textures and main thing to a very architechtonic of compositions. Then mentally to plunge into dramatic art of a performens and to transfer a complete image, thanking opportunities of the modern composer equipment, a sound of Design and the sound world in general. All thanks and pleasant listening.
Performance in the subway
The director is Dmitry Kostyuminsky
The composer is Dmytro Demchenko
The musician vocal - Dmitriy Тsegelnik
Artists - Lisa Basay and Valdemar Klyuzko
The artist on lighting is Yury Lifshits
It was the performance "DniPrometheus of Risen".
Today I want to describe the process of creating a performance from within in order to structure the complexity of its contextual content itself and inspire others to take active creative steps.
All right, let 's dive.
Chapter 1: The Birth of Concept
It developed from three puzzles in the tireless mind of director Dmitry Kostuminsky
A) This is the subway. An unfinished shaft at a depth of 48 meters below the dead man (as the workers told us), a heavy elevator and a maze of tunnels, rails, cars and dripping water from everywhere. Constant temperature 17 ° C.
B) This is the book "Psychology of Evolution" or "Prometheus Rising" in the original,
Robert Anton Wilson. Philosopher, futurist, mystic and founder of Maybe Logic Academy. In this book, he described an eight-level neurosomatic model of Timothy Leary consciousness. It is that modern Homo Sapiens is a transitional stage of evolution and our idea of the crown of creation is one of the tunnels of reality that we will pass to come out into the next.
C) The myth of Prometheus and its modern reading. This fire, the victim, the eagles, the key liver, the symbol is very deep, having a reflection in almost all cultures.
Chapter 2. Preparation and creation of the body of the performance.
The work went on all fronts and levels.
Metro is a strategic object of national importance and get there oh as easy as not easy. Maksym Demskyi, Waldemart Klyuzko and the whole team of DniPRO Gogol Fest have done the impossible so we can just go down there. They destroyed bureaucratic barriers, submerged underwater canals and shamanils in all known and unknown ways.
Valdemar, Jura, Liza Basay and Alexey Garmash created decorations, sculptures, strange and most complex light devices and a suit for Prometheus with lasers.
Dmytro Demchenko wrote the music. The very music from which the creeps run, and you stand dug up and bully.
In general, we created the performance in 3 days and nights. Absolutely merged with this magical place and with each other. Thank you to the team. Such mutual help, sleepless nights and super-power cost this sun, which we lit.
Chapter 3. Action
So, the viewer dresses helmets, boots and vests. He dives on an elevator under the ground. A final briefing takes place and they are met by Prometheus leading into the first tunnel. The birth of a man from clay and Zeus 'first punishment. God stands on the back of titanium and trumpets into the mountain. This means that any action going on, against the will of the gods, will be punished.
Chapter 4. Each of us Prometheus
We all have enormous potential. The opportunity to discover the hidden resources of our consciousness and ancient knowledge. Use modern scientific technology not for murder, but for life. Learn to combine sensual, matriarchal way with strict patriarchal structure.
My name is Dmytro Demchenko I from Ukraine!
I am the diplomaed composer. I graduated from the Dnipropetrovsk musical academy as the instrumentalist and the Lviv musical academy as the composer.
I am engaged in Sound Design .
I compose music of different complexity.