Decoy by DISTRICT FIVE with Vojko Huter, Tapiwa Svosve, Xaver Rüegg, Paul Amereller
Intakt CD 308
All in their twenties, the four young men are currently a top tip on the Swiss jazz scene. District Five have taken time over their debut album, the antithesis of short-term project culture. Now, with Decoy, they do justice to the album’s title, throwing us a seductive bait.
The aim behind the album is to transcend conventional jazz and offer a statement; it was to sound different from the experience of District Five live, using the possibilities of studio recording to mine the wealth of electronic-based sounds the quartet hear around them.
Whether flowing calmly along or sweeping weightlessly through the expanses of ambient soundscapes, whether the concentrated energy of free improvisation shatters the song structure or eruptive clusters of sound and hard-edged grooves emphasise the physical aspects of the music, in the club-friendly anthem ‘Maths’, the multi-layered sound art of District Five is compellingly direct and builds up a hypnotic momentum.
Tracklist
| 1. | Berlin | 7:02 |
| 2. | Crypto Clone | 9:47 |
| 3. | Reminiscence | 5:49 |
| 4. | Maths | 4:59 |
| 5. | Decoy | 6:00 |
| 6. | Recall | 9:33 |
Credits
Xaver Rüegg: Double Bass
Tapiwa Svosve: Alto Saxophone, Synths / Electronics
Vojko Huter: Guitar, Synths / Electronics
Paul Amereller: Drums
Compositions by Vojko Huter except “Decoy” by Tapiwa Svosve, “Maths” by District Five. All music arranged by District Five. Recorded on November, 13, 14, 2017, by Christian Heck at Loft Köln. Mixed January 2018 by Manuel Egger and District Five at Suburban Sound Studio, Winterthur. Mastered January 2018 by Greg Calbi at Sterling Sound NYC. Graphic design: Jonas Schoder. Photo: Simon Zangger. Liner notes: Florian Keller. Executive production by Florian Keller. Produced by District Five and Intakt Records. Published by Intakt Records.
License
All rights reserved.Tags
District Five has been meeting in the rehearsal room for over ten years, reflecting themselves, their friendship, their influences and experiences in their music. The result is a work that keeps on moving. Sometimes closer to jazz, sometimes pop, sometimes further away from it, but always close to itself. Hyper-energetic freefall music injected directly into your brain through your ear canals.