Mining Ghosts from Bloodwood Reclaim by Didgeridrone

The air of *Mining Ghosts* is thick with the metallic tang of memory. The track opens with genuine field recordings of long-silenced machinery, a low, unnerving thrum suggesting active, lingering presence. This is a direct confrontation, built from the raw, deep resonance of amplified didgeridoo against sheets of downtuned guitar. The deliberate acceleration in tempo functions as the intensifying rhythm of an ancient ceremony, pushing back against the spectral hum of what once consumed the land. Instruments act as primal forces, shaping a sonic exorcism where the earth's voice, layered with harsh, oxidized distortion, transforms tools of extraction into instruments of healing. A subtext of unearthing calcified trauma permeates the track; the clash between mechanical ghosts and living, vibrating sinews of sound forms a critical dialogue with inherited wounds. The ritualistic drone metal renders a visceral cleansing, a narrative of reclamation, through sheer weight and deliberate push. It insists that understanding the past's scars is the first step toward true healing.

Five outcasts from Australia's red dirt country channel ancestral frequencies through amps and oil drum altars. We blend crushing metal with ancient didgeridoo ritual.