December from Faux Pas by Charles Celeste Hutchins
This contains sounds from a MOTM Modular Synth, a Moog Tarus II, an Evenfall Minimodular and a "guitar" made out of some wood and a fiberglass lampshade. The guitar was contact miced and run through an Alesis Midiverb II, which also processed some synth sounds.
Charles Céleste Hutchins is a Californian abroad, testing Philip K Dick’s theory that once you become a Berkeley radical, you can never leave. He explores issues of regional identity, plays music and has telepathic conversations with an alien satellite orbiting the earth.