(de)construction from Faux Pas by Charles Celeste Hutchins
This piece was written at Mills College for my senior thesis concert. It involves the sounds of a Moog modular and many contact mics and a quadraverb FX box. The recordings include piano strings, keys being shaken, a washing machine and bed springs as somebody jumped on them.
Tracklist
| 1. | (de)construction | 3:34 |
Credits
from Faux Pas,
released April 1, 2001
License
All rights reserved.
Charles Céleste Hutchins is a Californian abroad, testing Philip K Dick’s theory that once you become a Berkeley radical, you can never leave. He explores issues of regional identity, plays music and has telepathic conversations with an alien satellite orbiting the earth.