noise by RDKPL

ANM Proudly Presents: Álbum Number 29 of RDKPL!!!!

As Ever Is very gratify present every show of each stage, way and craft manufactured by the talented friend noisician Radek Kopel from Czech Landa where everyone knows what in this great interesting many artistic proposals stand out, whether visual or sonorous what catch our attention...
A one of these artists Is the genius behind of His own nickname but what also bring us different styles AND textures!

In this magnifique product of 2 tracks with a huge AND
extensive creations of great energy and sophistication between his hands, machines and an excessive flow of spontaneous ideas that grow and evolve "at unison"...

In His first assault Ever Is like begin from a point in Zero leaving what particles of chaos became in a destruction of slow and common catasthrope what him applied when he knows what Is perfect or key moment to capture the listener's attention;
Something quite worth highlighting about this ingenious artist is that he does not pigeonhole himself and continues to take care of each work, looking for what can improve from a previous one and that it preserves an original air in creative parte of solid piece and that is that "Now he takes more care that the aesthetics are dominated by rhythms and pulsations electronic and analogue and that white noise and fuzzing, chipping and cracklings remain as a base, accentuating a cleaner structure that is more acceptable to enjoy."
Track 2 from its development already becomes fast and energetic, you can really notice that satisfaction where the melodic parts are collapsing one with another and that stand out a lot like the icing on the cake, despite the fact that behind it is the base that triggers that abrupt back and forth of white noise tapping and pink static compression, each monstrous escape from the abrasive turning of the knobs and the violent punch of the buttons is clearly and precisely perceived. It is also quite interesting how the machines that Radek uses fit quite well in the sound and composition at the time of creating in one part we have a violent strategy and screeching polyphonic effects that come and go quickly and attacking every second and for example we see a track with much more calm but equally intense oero always trying to deliver that principle that is active A lot of TEXTURE, STRUCTURE, SOUND QUALITY AND ITS ABRASIVE ELECTRONIC ELEMENT CHARACTERISTIC OF SPONTANEOUS AND FREE NOTES.
It is a great album without a doubt to enjoy while you drink something in the afternoon or evening that you want to release that accumulated stress and fill yourself with that balanced vibe of sound and static that makes travk 2 balanced where you can delve into the composition techniques in the patterns where you hear the rhythms as they are generated and explode at an opportune and insightful moment!!!

Maybe Best way of listening Is with headphones for feel each phrase, sound and note!!!!

Just as the Art on the cover implies an ideology of the same musical concept, it gives us a reference to its same pressurized composition of that constant violence that wants to escape and seeks to lubricate that discharge of a weak part and exploit all the existential burden that disproportionates the thought towards the cliché of what is right or wrong, or what the mainstream implies to you!!! But you also would give It your own understanding to this image as you expréss your own idealism!

A DIY Label focused in bad quality, low bit and horrible anti music!