Hologram by Alice Sandahl
The latest solo album from Alice Sandahl (La Luz) leans into bright hooks, shimmering synths, and emotionally rich songwriting. A mix of infectious pop melodies and reflective ballads, Hologram is a confident evolution—playful, poignant, and unmistakably hers. Available in both digital format and black vinyl format with original artwork by Jun Ohmuki and Lars Finberg.
Limited pressing. Ships from Los Angeles.
Tracklist
| 1. | A Better One | 2:44 |
| 2. | Ghost of a Memory | 4:32 |
| 3. | Broken Baby | 2:41 |
| 4. | Hologram | 3:24 |
| 5. | Little One | 2:39 |
| 6. | Myth | 3:21 |
| 7. | Soon Enough | 2:48 |
| 8. | Storm | 3:27 |
| 9. | Witching Hour | 2:54 |
| 10. | Golden Halo | 3:04 |
Credits
released June 5, 2025
Alice Sandahl: Vocals, Keys, Synths, Percussion, Guitar and Bass (Golden Halo)
Riley Geare: Drums, Bass, Guitar, Percussion, Synth solo (Broken Baby)
Greg Coates: Upright Bass (Little One, Myth, Storm
Stephanie Yu: Violin
Ricky Berger: Flute (Witching Hour) and Celeste (Broken Baby)
Marta Tiesenga: Saxaphone (Golden Halo)
Marian Li-Pino: Backing vocals (Storm)
Produced, Engineered, and Mixed by Riley Geare at La Planta Recording
Mastered by McKenzie Stubbert
All songs written, arranged, and co-produced by Alice Sandahl
Photography by Chelsea Rose
Album Art and Design by Jun Ohnuki and Lars Finberg
Alice Sandahl: Vocals, Keys, Synths, Percussion, Guitar and Bass (Golden Halo)
Riley Geare: Drums, Bass, Guitar, Percussion, Synth solo (Broken Baby)
Greg Coates: Upright Bass (Little One, Myth, Storm
Stephanie Yu: Violin
Ricky Berger: Flute (Witching Hour) and Celeste (Broken Baby)
Marta Tiesenga: Saxaphone (Golden Halo)
Marian Li-Pino: Backing vocals (Storm)
Produced, Engineered, and Mixed by Riley Geare at La Planta Recording
Mastered by McKenzie Stubbert
All songs written, arranged, and co-produced by Alice Sandahl
Photography by Chelsea Rose
Album Art and Design by Jun Ohnuki and Lars Finberg
License
All rights reserved.
On solo debut Bright and Blue, Alice Sandahl (La Luz) excavates with unvarnished vulnerability themes of loss, grief, and hope for the future with keyboard-driven music that combines pop, jazz, and the Great American songbook—Nina Simone meeting Harry Nilsson in a smoky bar anywhere in the world.