NOISE FLOOR is like a snapshot of a greater psychedelic experience, a point where stability and rationality begin to come apart. I thought it would be interesting to juxtapose the computational symmetry found in the form of something like techno, with a dark, noisy, static-filled synth sequence that was generated from random voltage currents. Leaving the control to the machine and allowing myself to piece it together afterwards felt like the right way to capture the moment, when you're just trying to hold on but the experience is taking over.