Vocal Synth from 365.25 by 185668232

185668232 learns how to use Ableton's vocoder though that part is not mixed into this version - 365.25 - Vocal Synth

originally Named 'The Voder' (short for Voice Operating Demonstrator), in 1938 Homer Dudley of Bell Labs device comprised an oscillator, a noise generator and a band-pass filter array

other invention was designed to reduce the bandwidth of speech: the 'Voice Encoder', shortened to 'Vocoder', analysed the spectral makeup of the human voice, and these analysis signals were then used to modulate a synth, resulting in a synthesised tone that appeared to talk and speak like human speech. ... by encrypting control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. complex machine operation prerequisite trained professional & produced intelligible speech and singing.

Auto-Tune was invented by Dr. Andy Hildebrand, a research engineer employed in the oil industry. One of his big breakthroughs was 

developing auto-correlation, an algorithm using seismic waves to create detailed sub-surface maps using transients and nodes

so oil companies could know where to drill site fracking.

tweaking auto-correlation to pitch-correct music.

Talk Box began named the SINGING GUITAR In 1939, Alvino Rey, amateur radio operator W6UK, used a carbon throat microphone wired 

in such a way as to modulate his electric steel guitar sound. The mic, originally developed for military pilot communications, was placed on the throat of Rey's wife Luise King (one of The King Sisters), who stood behind a curtain and mouthed the words, along with the guitar lines. The novel-sounding combination was called "Singing Guitar", and employed on stage and in the movie Jam Session, as a "novelty" attraction, but was not developed further.


TalkBox
Sonovox
Talking Steel Guitar
Kustom Electronics (The Bag)
Heil High Powered Talk Box
Electrospit
Experimental musicians from the German Elektronische Musik movement and the BBC Radiophonic Workshop integrated the vocoder into their compositions and, after researching Dudley's designs, Robert Moog and Wendy Carlos created their own vocoder, with the effect appearing on the seminal soundtrack to Stanley Kubrick's A Clockwork Orange.
German electronic pioneers Kraftwerk used the vocoder on their 1974 album Autobahn, 

subsequently influencing a new generation of electronic musicians such as Herbie Hancock, Afrika Bambaataa and many other artists throughout the '70s and '80s.
Synthesiser manufacturers, recognising the futuristic instrument's commercial potential, released synths with incorporated vocoders, and standalone models: examples include the EMS Korg Roland Daft Punk

• Experimental
• avant garde
• glitch
• noise
• post-pop
• singer-songwriter
• Brooklyn