Kate Carr
Stratigraphyby Quartz Sand
A Storm and its Aftermathby David Donohoe and Kate Carr
Rubber Band Music
Organellesby Kate Carr and Matt Atkins
The 750-kilogram snake of destruction fatbergby Rubbish Music
Fatbergsby Rubbish Music
Midsummer, London
A Field Guide to Phantasmic Birds
Zippered Time, Winged Dialogueby David Birchall, Kate Carr and Tullis Rennie
making do with a bicycle and a rubber band
making do with a broken ukulele turned into a sculpture of wire, rubber bands and rubbish
on cabbages, salt, bacteria and transformations
Hawkes End ---> River Sowe Junction (a sonic transect of the sometimes absent River Sherbourne)
making do with a kitchen in the cellar of a crumbling mansion
Fever Dreams
false dawn
Making Do Vol. 1
Upcyclingby RUBBISH MUSIC
resurfacing
Barbican set
fake creek
Jungle soundscape for houseplants
making do #1
dawn, always new, often superb, inaugurates the return of the everyday
Splinters
on every stair another stairway is set in negative
For some odd reason
Cyclingby Kate Carr + Sheryl Cheung
Where to begin
Heatwave
Contact
City of Bridges
The Thing Itself And Not The Myth
I Ended Out Moving To Brixton
From A Wind Turbine To Vultures (And Back)
The Story Surrounds Us
Tiny Portraits - single
Endings
I had myself a nuclear spring
It was a time of laboured metaphors
I had myself a nuclear spring
Fabulations
Overheard in Doi Saket
Subtropical to Temperate Oceanic
Paris Winter/Spring
Dark Days
Blue Greenby Kate Carr and Gail Priest
Songs From A Cold Place
Landing Lights
Rivers Home
“Probably the most significant field recordist of contemporary urban Britain…” - The Quietus.
Kate Carr’s practice explores the textures and technologies of field recording using movement, objects and experimental recording techniques. She creates intimate, delicate and hybrid soundworlds which emphasise interactions and shared experiences within them.